QUOTE(moif @ Nov 8 2007, 05:43 PM)

QUOTE(drewyorktimes)
Finally, I think to say that Blacks are a "very loud minority"... I think that heavily depends on how you define loud, and in what areas are blacks a "loud minority." Personally, I would not have even used the word "loud," but it's a word you share with one of Rap's fiercest critics,
Greg Tate. Let's see what he has to say about this:
Loud as in bombastic, rebellious, overt. Unwilling to simply conform to the majority view. Banging and singing and dancing in a way that defies, and eventually over runs main stream music culture, as did Jazz, as did the blues/rock n roll as has hip hop. Loud as in blaxpolitation, Shaft, Samule Jackson quoting the Bible, Martin Luther King, Malcom X and the bug eyed fellow who made a film about Maclom X (but whose name I have forgotten). Loud as in the drama when ever a Euro-ethnic women is seen to be on the arm of an Afro-centric man as opposed to the opposite. Loud, meaning abrasive, cocky, static, irreverent, in-your-face. Loud meaning all of the above. The cultural impact the Afro-ethnic minority of twentieth century America has had on the whole world easily out weighs the impact All of Africa has had. Thats what I mean by loud.
Loud? Damn straight Black folks are loud. You say "loud" like it's a bad thing. Loud the way a hungry baby is when they're screaming to be fed. Loud because if a baby cries softly nobody pays attention, but but a baby shouts and screams because it knows volume has a way of getting attention. Black people are trying to be heard. Trying to be seen. Trying to get your attention. Trying to be recognized. Loud? Yeah we are. Louder than a bomb.
I'm reminded of what the late sportswriter, Ralph Wiley, wrote in his book, "Why Black People Tend to Shout,"
Why do Black people tend to shout? Now there is a question for the ages. Black people tend to shout in churches, movie theaters and anywhere else they feed the need to shout, because when joy, pain, anger, confusion and frustration, ego and thought, mix it up the way they do inside Black people, the uproar is too big to hold inside. The feeling must be aired.
Black people shout because they are immortal and sense this. Black people sense this because we have been dying for years, shouting and dying, yet here Black people are, the salt of the earth. Here we are.
Black people tend to shout because they dare to have the nerve to not be silent.
If Black people didn't shout, who would? Now THERE is a question for the ages. linkBlack people are loud because when things get too quiet things are getting too dull.
QUOTE(quick)
Have you watched any non American rap video's lately? Try perusing some the French rappers and see what they take from African American music. Every small time criminal and juvenile deliquent from Copenhagen to Cairo is listening to 50 cent and the myriad gangsta clones and buying into the image of 'the Pimp Thug'. Compare that to a positive example of Afro-ethnic culture in America and what do you have to compare?
Bear in mind two things. One. Most Euro kids listening to tracks like these don't even understand half of whats being said, but they do get the general idea. Life aint nuttin but money and...
Two. This and stuff like it is what most non American teenagers understand to be 'Black Culture'.
...and a extremely limited and superficial understanding it is.
What's your point? Other cultures have always--ALWAYS--bitten off of Black musical styles. I'm sorry if this makes me sound like a bigot but when I hear some guy who can barely speak English try to flow about how large he's living and all the fools he's smoked with his gat, I crack up with laughter. It's so phony that's it's funny. Jazz is more popular in Europe and Japan than it is here in America. Black hair styles, dress, slang, and music have constantly been imitated and duplicated by kids in Europe, Africa, Japan, South America and wherever else it lands. Back in the day before he became a total freakshow, Michael Jackson and that damn red jacket with the multiple zippers from "Beat It" were popular with teens all around the world. And don't even get me started on how many people have tried to be "like Mike" (Jordan, than is)
People tend to lead, follow, but mostly just imitate whatever and whoever is the "cool" and iconic presence of the time. It wasn't that long ago when many young girls tried their best to look like mini-sluts just like Madonna. When she grew older, they moved on to something else cooler than her. Once upon a time, M.C. Hammer was the end-all and be-all in rap. Never mind that like 50 Cent there were far more talented and skilled rappers than Hammer. The media can only embrace so many ideas and stars at a time. 50 Cent isn't the best rapper. He's just the best known rapper and there's a
big difference between the two.
QUOTE(moif)
Now, nighttimer and I have had many a run in on racial issues, and if I've understood anything then its this; Ice Cube and the rappers like him, do not constitute the Afro-ethnic culture of the USA. They merely have a far louder voice.
Exactly. The person who gets the most publicity and has the highest profile isn't necessarily the best at what they do. Anyone who knows anything about rap knows Puff Daddy or P. Diddy or Diddy or whatever the hell he's calling himself today sucks as a rapper. But that doesn't matter. What matters is he's made people
think he's somebody important in the rap game and that's all that count. Perception is reality and no more so than in hip-hop. Reputation means more than genuine talent or skills--sorry..."skillz."
QUOTE(moif)
I'd like to make an example of a really positive Afro-ethnic American person to hammer home the contrast, but even though I'm quite well read, I can't. I can't, off hand, think of a single African American who isn't suspect in one way or another ...or a media/sports star and most of the really famous Afro-ethnic sports stars are suspect too. OJ Simpson springs immedietely to mind. I guess the most positive examples I can think of, off the top of my head to promote non violent, non 'pimping', non drug using Black American culture, are Tiger Woods and Oprah Winfrey.
If that's your conclusion, then I would suggest you aren't as well-read as you think you are. There are many athletes, artists, actors, entertainers, entrepreneurs and activists within the African-American diaspora that provide positive, non-violent, non-pimping, non-drug usage and progressive examples of the culture.
QUOTE(moif)
My conclusion. That since what ever positive comes out of Afro-ethnic culture in the USA, makes no impact besides the juggernaut of sound that is gangsta rap and its various predessesors and then its not hard to understand why so many stereotypes surrounding American Afro-ethnic culture involve the uppity negro, the gangsta killa, the pimp daddy, the drug dealer, the thug or which ever other term you wish to use.
This perception which can hardly be denied, can only serve to distort how African Americans are seen by non African Americans. The only real question in my mind is why is it like this? Is Afro-ethnic culture really so self destructive, or is it subjected to massive exploitation and prejudice by a mainstream community that thrives on the distortion for its own ends? I suspect a bit of both.
Afraid so. Record companies are in the business of selling music and if it happens to be music that degrades women, celebrates instant gratification, killing, drugs, killing cops and getting away with murder, there's plenty of rap and hip-hop out there to choose from.
But there's also Alicia Keys, Lil' Mama, common, The Black Eyed Peas, India.Arie, Jill Scott, Chris Brown, Wyclef, and even the often insufferably arrogant Kanye West doing their thing and most of it has nothing to do with "thug life."
The thing that kills me is people look at 50 Cent and all they see is a tattooed, muscle man spitting lyrics into a mic and they think, "Man, he's HARDCORE." They don't pay any attention to the fact for Curtis "50 Cent" Jackson, rap isn't a calling. It's strictly business and business is good. Real good.
Unlike traditional music genres like pop, rock and country, whose artists generally make the bulk of their money selling albums and touring, hip-hop has spawned an impressive cadre of musicians-cum-entrepreneurs who have parlayed their fame into lucrative entertainment empires. Curtis "50 Cent" Jackson, who nabbed the No. 2 spot on the list, presides over G-Unit, a diverse portfolio of businesses that includes apparel, ringtones, video games and even a line of fiction. All told, "Fiddy" as he is known to fans, made an estimated $32 million last year. "I'm creating a foundation that will be around for a long time, because fame can come and go or get lost in the lifestyle and the splurging," he told Forbes last year. "I never got into it for the music. I got into it for the business."
Coca Cola announced it would buy Glaceau, maker of VitaminWater, for $4.2 billion in cash. Once the deal is consummated, 50 Cent, who agreed to endorse the brand in 2004 in exchange for a small stake, should walk away with some $100 million.
linkI don't care if you're a butt-ugly rapper like "Fiddy" or not. When you can walk away with $100 million for endorsing flavored water, you aren't just some thug off the street. You're a businessman and what he's selling is his persona. As they used to say back in the day: rhyme pays.
The thing is it's easy to get what's popular confused with what's good. If I were to make a prediction, I'd guess that 50 Cent and others like him will be known more for the money they banked and the controversies they began more than the music they made. I have a hard time conceiving of putting a statue of 50 Cent alongside Duke Ellington, Jimi Hendrix, Robert Johnson, Stevie Wonder, James Brown, Marvin Gaye, Aretha Franklin, and John Coltrane when it comes to Black pioneers of music.
Once upon a time people worried that jazz corrupted the morals of White kids. Then they were sure that Little Richard and Chuck Berry were the devil's own imps with their sexually salacious songs. They had to get Pat Boone to clean up that weird Little Richard's records--and make crazy money too. Now parents are wondering why their precious little darlings are calling each other "nigga" and pumping out Souljah Boy and Jay-Z when they grew up digging Led Zeppelin and the Stones.
All things must pass. It's the nature of the beast called music. Something will come along that will send gangsta rap to the showers. Something always does.