QUOTE(johnlocke @ Nov 5 2003, 01:08 AM)
Only the governement can censor you. Everyone else is just inflicting their influence upon you. Calling the will of a free people that ban together to fight something they dislike "censorship" is just crying.
Sorry,
JL , you know I like you and all, but that statement is patently absurd. Yes, CBS caved in (to a minority opinion) and, in doing so, exercised
censorship. What you are apparently referring to is "official" or "state" censorship. Much more common is the censorship exerted by publishers, producers, editors, schools boards - even authors and journalists themselves (known as self-censorship). When such censorship results from outside pressure, it can justifiably be argued that those exerting the pressure are attempting to force censorship. That is what happened in this case.
When a high school library decides not to carry
Catcher in the Rye, they are practising censorship. When salon.com failed to follow up on Greg Pallast's stories about election-tampering in Florida in 2000, they were practising censorship. When
The National Review gave Ann Coulter the boot, they were practising censorship. When CBS cancelled
The Reagans, they were practising censorship. There are dozens upon dozens of similar examples - none of them by government edict.
As we're working on our vocabulary here, Les Moonves said that he personally found the program biased. Biased, last time I checked, means biased. It does not mean fictitious. It does not mean false. It does not imply lies. It implies a bias. Period. Several definitions of "bias" can be found at
dictionary.com. Not one of them states that a bias indicates a lie (no matter how many times you repeat it

). Bias simply implies presenting some facts and omitting others in order to create a certain slant.
As to some of the criticisms here,
any docu-drama necessarily "invents" a certain amount of dialogue, though it generally attempts to reflect and illuminate the spirit of the personalities involved (and the assessments of those writing and/or producing the material). I have not yet seen any dialogue allegedly lifted from the teleplay which contradicts the spirit (or policies) or Ronald Reagan (except, perhaps, for uncharacteristic honesty in describing himself as "the antichrist"

).
As CBS is celebrating its 75th Anniversary this week - and went out of their way to honor Ed Murrow and his ground-breaking news programs - I found this whole incident a bit of an ironic echo. Murrow's
See It Now was considered a revolutionary form of news coverage - it virtually invented the television news magazine and was the precursor of such programs as
60 Minutes. Further, it was highly influential: Murrow can be
much more easily and directly credited with the fall of Joseph McCarthy, for example, than Reagan can with the fall of the Soviet Union.
Despite their early friendship, William Paley, head of CBS, grew increasingly alarmed by Murrow's uncompromising investigative style. Finally, in 1958, during a program on the statehood of Alaska and Hawaii, Murrow allowed criticism of Rep. John Pillion to stand. Many on the right opposed both territories becoming states for reasons arising from anti-communist hysteria. Hawaii, it was feared, would - horrors! - support
civil rights due to its ethnic diversity and, because labor unions were strong on the islands, Pillion claimed that "in granting statehood to Hawaii, we actually invite four Soviet agents to take seats in the US Congress." The opposition to Alaska was even more lunatic. Politicians like Pillion feared that, were Alaska granted full statehood, Russians would march across the Bering Strait and occupy the territorial US, thus establishing a foothold in the American homeland. (Why they should wait to do so until after Alaska was admitted to the union was never really addressed.)
On
See It Now, a critic of Pillion referred to his objections as "crazy" - and, as Pillion was allowed to respond, Murrow refused to excise the comment. There was a strong outcry from the last vestiges of the McCarthyites in Congress and Paley cancelled the entire series. Ring any bells?
History has proved Pillion and his cohorts to have been fools - and Paley's reputation suffered as a result of his actions. History will no doubt also judge Reagan to have been a fool - though I doubt Les Moonves will be thought any less of than he already is...
From what I've read so far,
The Reagans clearly and distinctly "revolves around the facts" (though, unlike those villifying the thing, I will certainly reserve any definitive judgement until after I've seen it - if I ever do). For those absurdly claiming that docu-dramas should only contend with ancient history or the dead: where was the outcry about Showtime's ludicrously biased
and highly fictionalized
DC 9/11: Time of Crisis? Are such objections only reserved for TV movies which have their alleged bias toward the left? And does our "liberal media" only cave in when criticism is coming from the right? All too apparently, the answer to both questions is
yes. In the program's critics, this is called hypocrisy. In the media execs, it is called cowardice. I don't find either trait particularly admirable - even in relation to something as banal and inconsequential as a TV mini-series.
More on Edward R. Murrow can be found at wikipedia.org - and more on his relationship with William Paley (and the demise of See It Now) can be found in Sally Bedel Smith's biography of Paley, In All His Glory.