I haven't posted in a while. However, after seeing Fahrenheit 9/11 and reading some of this thread, I felt compelled to contribute.
Following are my answers to the quesions for debate:
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1. Does the statement "filled with factual inaccuracies" (proceeding from an invalid critical basis) condescendingly imply that the film actually contains no "factual accuracies" or that supposed "factual inaccuracies" should be accepted on faith? Are not faith and fact like oil and water (i.e they don't mix)?
I think the statement by Dan Bartlett is much more shallow than you have implied. I believe the statement is a crafty way of saying that the film is "full of lies". However, the White House cannot actually come out and say such a thing, because the film has been carefully examined to be factually accurate. If the White House were to take the position that Michael Moore's film contains outright lies, they would be put to task on what those lies actually are.
The film may mislead the audience to believe certain things to be true, but does not openly state anything that is untrue. After seeing the movie, I would agree that Michael Moore's film could potentially mislead an uninformed or intellectually lazy audience. However, Moore's film does not hold a candle to the President's gross "factual inaccuracies" concerning Iraq and the war on terror.
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2. I have heard it said that Moore's presentation is "unfair" to the current administration. Is the implementation of the Patriot Act fair (a major theme of the film)? Is it fair to fight unfairness with unfairness?
I will try hard to get to the root of the question: "Is it fair to fight unfairness with unfairness?"
I don't think so - and I don't think that is what this film is about. Undoubtedly the film is
unfavorable to the current administration. Is
that a fair tactic for a political documentary? You bet.
As Americans, we were unfairly sold on a war that did not benefit the interests of our country. The true cost of this war was withheld from the public and not even open to debate. I was against the invasion because I was not listening to the mainstream press. I was listening to alternative news sources, reading foreign press releases, and researching on the internet.
Meanwhile, the Bush administration was playing our mainstream media like a fiddle. America was gung-ho on going into Iraq. The deception worked so well that as of September 2003 almost 70% of Americans
still think Saddam Hussein was "personally involved in the September 11 terrorist attacks" (
source-http://www.washingtonpost.com/wp-srv/politics/polls/vault/stories/data082303.htm)
How did Americans fall for such an unfair presentation of the facts? Emotion. The Bush administration took advantage of our vulnerability and used it to exercise their agenda. Americans were so angry about September 11 that we needed to project our fear and aggression onto something tangible. Saddam Hussein was a logical patsy and a convenient target for our rage. The benefit of attacking Iraq seemed to far outweigh whatever the cost may be.
Michael Moore's film examines who will really benefit from this war, and more important - what the true cost has been. He points out a series of coincidences that bring into question the motives of this war. However, the most powerful message in the film comes from Lila Lipscomb who lost her son in Iraq.
Toward the end of the film, Lila goes to the White House and engages in a exchange with a women who resents Lila's anger toward Bush for her son's death. The woman says that her anger should be directed toward the terrorists, not Bush.
And so we come to the crux of the film, and where we are as Americans. We have become so consumed with our grief and anger that we are constantly looking for someone to blame. We are seeking closure as a country and do so by polarizing our beliefs and chanting, "You're either with us, or you're a terrorist."
Michael Moore turns that reasoning on its head by shifting our reactions from scenes in the film against George W. Bush. After a devastating scene involving Lila Lipscomb reading her son's final letter from Iraq, Moore cuts to footage of President Bush endorsing the war regardless of the sacrifice (a hard pill to swallow after what we have just seen). This deliberate manipulation of our emotions demonstrates how easily our opinion toward the issue of this war can change - and therein lies the point.
I believe that Michael Moore's film is essential for America to reach a common ground. We need to carefully examine the cost of this war and how it benefits those in power. We cannot simply except what is being told to us from one side of the aisle . To do so would be a dereliction of duty as a society of free thinking individuals.
I feel that any unfairness to the Bush Administration is buoyed by Moore's fairness to America and depiction of humanity. His love for this country and its citizens shines throughout the entire film. He takes great care in showcasing the "backbone" of America and the hard-working underdog on which this country was built.
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3. Hypothetical: If admission were free to the film and you had the time, would you see it?
If not, why? Would you be fearful that it might change your own opinion? Would you blame not viewing it on the fact that you have kids?
If so, do you just want to be entertained or do you hope it will provide some valuable information? Or perhaps you want your current views validated?
Although this question seems to be directed to those who sit on the side of hating Michael Moore, I want to address the larger issue. We need to be open to the idea of sharing information with each other. If we decide to galvanize our position by ignoring the other side, we will become viciously divided as a country and end up destroying ourselves.
Ultimately, this film contains information necessary to making decisions about how we will move forward as a country. Whatever your political leanings, Fahrenheit 9/11 will deeply affect you and should cause you to question what you currently believe to be true. If you decide not to see this film based on political bias you have pulled the wool over your eyes. The same would be true for those who accept the film as gospel.
I look forward to debating the finer points in the film elsewhere on this forum.